{"id":12978,"date":"2022-08-11T10:17:39","date_gmt":"2022-08-11T10:17:39","guid":{"rendered":"https:\/\/european-training.eu\/yunanistan-muzik\/"},"modified":"2022-08-11T10:17:39","modified_gmt":"2022-08-11T10:17:39","slug":"yunanistan-muzik","status":"publish","type":"post","link":"https:\/\/european-training.eu\/tr\/yunanistan-muzik\/","title":{"rendered":"Yunanistan &#8211; M\u00fczik"},"content":{"rendered":"\n<p>M\u00fczik, Yunanistan&#8217;da y\u0131llar boyunca Do\u011fu ve Bat\u0131 seslerinden etkilenen k\u00fclt\u00fcr\u00fcn zorunlu bir bile\u015fenidir.<\/p>\n\n<p>Yunan k\u00fclt\u00fcr\u00fcn\u00fcn bir par\u00e7as\u0131 olan m\u00fczik, \u015fiirin, dans\u0131n ve m\u00fczi\u011fin ayr\u0131lmaz oldu\u011fu ve antik Yunanl\u0131lar\u0131n g\u00fcnl\u00fck ya\u015fam\u0131nda \u00f6nemli bir yer tuttu\u011fu eski zamanlara kadar uzan\u0131r.<\/p>\n\n<p>Daha sonra Bizans \u0130mparatorlu\u011fu d\u00f6neminde Yunan m\u00fczi\u011fi daha dini bir yakla\u015f\u0131m kazand\u0131. Daha sonra Osmanl\u0131 \u0130mparatorlu\u011fu&#8217;nun 400 y\u0131ll\u0131k hakimiyeti s\u0131ras\u0131nda do\u011fu m\u00fczi\u011finden etkilenmi\u015ftir.&#13;\nSonunda, 19. y\u00fczy\u0131ldaki \u00f6nceki m\u00fczik tarzlar\u0131n\u0131n bir\u00e7ok unsurunu birle\u015ftirerek \u201cyeniden do\u011fdu\u201d.<\/p>\n\n<p>En temsili Yunan m\u00fczik t\u00fcrlerinden baz\u0131lar\u0131 \u015funlard\u0131r:<\/p>\n\n<h2 class=\"wp-block-heading\">Halk \u015eark\u0131lar\u0131<\/h2>\n\n<p>Yunan halk \u015fark\u0131lar\u0131 2 stile ayr\u0131labilir:<\/p>\n\n<ul class=\"wp-block-list\"><li>Akritik stil (MS 9. y\u00fczy\u0131l ve sonras\u0131). \u015eark\u0131lar, Bizans \u0130mparatorlu\u011fu&#8217;nun (&#8220;Akrites&#8221; olarak bilinir) s\u0131n\u0131r muhaf\u0131zlar\u0131n\u0131n ya\u015fam\u0131n\u0131 ve m\u00fccadelelerini ifade ediyordu.<\/li><li>Klephtic \u00fcslubu (Osmanl\u0131 i\u015fgali s\u0131ras\u0131nda do\u011fmu\u015f). A\u015fk \u015fark\u0131lar\u0131, d\u00fc\u011f\u00fcn \u015fark\u0131lar\u0131, s\u00fcrg\u00fcn \u015fark\u0131lar\u0131, \u00f6zg\u00fcrl\u00fck \u015fark\u0131lar\u0131, \u00f6l\u00fcm \u015fark\u0131lar\u0131 ve h\u00fcz\u00fcn \u015fark\u0131lar\u0131 i\u00e7erir. Yunan tarihi ve ya\u015fam\u0131nda \u00e7ok \u00f6nemli, kanl\u0131 bir d\u00f6nemi tasvir ediyor.<\/li><\/ul>\n\n<p>Halk t\u00fcrk\u00fclerinde kullan\u0131lan m\u00fczik aletleri aras\u0131nda lir ve ud, tulum, zurna, davul, tef ve keman bulunur.<\/p>\n\n<h2 class=\"wp-block-heading\">Nisiotika<\/h2>\n\n<p>Bu t\u00fcr m\u00fczik, Yunanistan&#8217;daki adalar\u0131n n\u00fcfusu aras\u0131nda do\u011fdu ve pop\u00fcler oldu.<\/p>\n\n<p>Her adan\u0131n kendi nisiotiko stili ve onu dans etmek i\u00e7in benzersiz bir tekni\u011fi vard\u0131r. Keman, lira, klarnet ve gitar, nisiotika yap\u0131m\u0131nda kullan\u0131lan en yayg\u0131n \u00e7alg\u0131lard\u0131r. Bu m\u00fczik t\u00fcr\u00fc, b\u00fcy\u00fck bir m\u00fczisyen grubunun b\u00fct\u00fcn gece canl\u0131 m\u00fczik yapt\u0131\u011f\u0131 herhangi bir Yunan adas\u0131ndaki yerel festivallerde\/fuarlarda bulunur.<\/p>\n\n<h2 class=\"wp-block-heading\">Rebetiko:<\/h2>\n\n<p>Bu \u00f6zel ve \u00fcnl\u00fc m\u00fczik t\u00fcr\u00fc, Attika&#8217;daki Pire liman\u0131 semti ve Selanik \u015fehrinin T\u00fcrk usul\u00fc yeralt\u0131 kafeleri olan &#8216;tekedes&#8217;te do\u011fdu. Rebetiko m\u00fczi\u011fi, \u0130zmir&#8217;in y\u0131k\u0131lmas\u0131ndan sonra, 1922&#8217;de K\u00fc\u00e7\u00fck Asya&#8217;dan gelen 2 milyon Yunan m\u00fclteci taraf\u0131ndan Yunan toplumuyla tan\u0131\u015ft\u0131r\u0131ld\u0131. Her \u015feyini kaybedenler, \u00e7evrelerini, yoksullu\u011fu, ac\u0131y\u0131, a\u00e7l\u0131\u011f\u0131, hapishaneyi, polis bask\u0131s\u0131n\u0131, uyu\u015fturucu ba\u011f\u0131ml\u0131l\u0131\u011f\u0131 ve ihaneti \u015fark\u0131larla anlatt\u0131lar. Rembetiko o zamanlar paryalar\u0131n yasak m\u00fczi\u011fiydi. 1950&#8217;lerde Atina&#8217;n\u0131n gece kul\u00fcplerinde pop\u00fcler olmaya ba\u015flad\u0131.<\/p>\n\n<p>Bu m\u00fczik t\u00fcr\u00fc hem Bizans hem de Osmanl\u0131 m\u00fczi\u011finden \u00f6\u011feler bar\u0131nd\u0131rmaktad\u0131r. Rebetiko m\u00fczi\u011finin ba\u015fl\u0131ca enstr\u00fcmanlar\u0131 buzuki, ba\u011flama, gitar ve teftir. Rebetiko stilinin baz\u0131 \u00f6nemli temsilcileri Vassilis Tsitsanis, Markos Vamvakaris, Marika Ninou ve Sotiria Bellou idi.<\/p>\n\n<p>Daha fazlas\u0131 i\u00e7in: <a href=\"https:\/\/blog.greeka.com\/greece\/rebetiko-feasts-greece\/\">https:\/\/blog.greeka.com\/greece\/rebetiko-feasts-greece\/<\/a><\/p>\n\n<h2 class=\"wp-block-heading\">20. y\u00fczy\u0131l\u0131n sonlar\u0131na ait m\u00fczik:<\/h2>\n\n<p>80&#8217;ler boyunca, Dionysis Savopoulos, Nikos Papazoglou, Stavros Xarhakos ve Pavlos Sidiropoulos gibi modern sanat\u00e7\u0131lar, rebetiko m\u00fczi\u011finin rock m\u00fczi\u011finin unsurlar\u0131yla bir t\u00fcr f\u00fczyonunu \u00fcreterek yeni bir t\u00fcr yaratt\u0131. \u015eark\u0131lar ki\u015fisel ya da politik \u00f6zg\u00fcrl\u00fc\u011fe ya da hayat\u0131n g\u00fcnl\u00fck y\u00f6nlerine, ac\u0131ya ve kedere at\u0131fta bulunur.<\/p>\n\n<p>O zamandan beri, genellikle Entekhno olarak adland\u0131r\u0131lan bu t\u00fcr m\u00fczi\u011fin bir\u00e7ok varyasyonu Yunan halk\u0131 taraf\u0131ndan \u00fcretilmi\u015f ve sevilmi\u015ftir.<\/p>\n\n<h2 class=\"wp-block-heading\">Modern pop\u00fcler m\u00fczik:<\/h2>\n\n<p>Yunan pop\u00fcler m\u00fczi\u011fine \u201cmodern laika\u201d veya \u201claiko pop\u201d denir. Bu t\u00fcr, Yunan m\u00fczi\u011finin unsurlar\u0131n\u0131 bat\u0131 pop m\u00fczi\u011fiyle birle\u015ftirir. Ele\u015ftirmenler, bu m\u00fczik bi\u00e7iminin daha d\u00fc\u015f\u00fck kalitede oldu\u011funu s\u00f6yl\u00fcyor. Ancak, Yunanistan&#8217;daki pop\u00fcler k\u00fclt\u00fcre n\u00fcfuz eden m\u00fczik bu oldu\u011fu i\u00e7in, insanlar\u0131n \u00e7o\u011funlu\u011funun bundan zevk ald\u0131\u011f\u0131 g\u00f6r\u00fcl\u00fcyor.<\/p>\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"385\" height=\"185\" data-id=\"10246\" src=\"https:\/\/european-training.eu\/wp-content\/uploads\/2022\/04\/Ancient-Greek-Music.jpg\" alt=\"\" class=\"wp-image-10246\" srcset=\"https:\/\/european-training.eu\/wp-content\/uploads\/2022\/04\/Ancient-Greek-Music.jpg 385w, https:\/\/european-training.eu\/wp-content\/uploads\/2022\/04\/Ancient-Greek-Music-300x144.jpg 300w\" sizes=\"(max-width: 385px) 100vw, 385px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"10249\" src=\"https:\/\/european-training.eu\/wp-content\/uploads\/2022\/04\/Traditional-Greek-Music.jpg\" alt=\"\" class=\"wp-image-10249\" srcset=\"https:\/\/european-training.eu\/wp-content\/uploads\/2022\/04\/Traditional-Greek-Music.jpg 1024w, https:\/\/european-training.eu\/wp-content\/uploads\/2022\/04\/Traditional-Greek-Music-300x200.jpg 300w, https:\/\/european-training.eu\/wp-content\/uploads\/2022\/04\/Traditional-Greek-Music-768x512.jpg 768w, https:\/\/european-training.eu\/wp-content\/uploads\/2022\/04\/Traditional-Greek-Music-600x400.jpg 600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"<p>M\u00fczik, Yunanistan&#8217;da y\u0131llar boyunca Do\u011fu ve Bat\u0131 seslerinden etkilenen k\u00fclt\u00fcr\u00fcn zorunlu bir bile\u015fenidir. Yunan k\u00fclt\u00fcr\u00fcn\u00fcn bir par\u00e7as\u0131 olan m\u00fczik, \u015fiirin, dans\u0131n ve m\u00fczi\u011fin ayr\u0131lmaz oldu\u011fu ve antik Yunanl\u0131lar\u0131n g\u00fcnl\u00fck ya\u015fam\u0131nda \u00f6nemli bir yer tuttu\u011fu eski zamanlara kadar uzan\u0131r. Daha sonra &hellip; <\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"pmpro_default_level":0,"footnotes":""},"categories":[139,204],"tags":[],"class_list":["post-12978","post","type-post","status-publish","format-standard","hentry","category-muzik","category-yunanistan","pmpro-has-access"],"_links":{"self":[{"href":"https:\/\/european-training.eu\/tr\/wp-json\/wp\/v2\/posts\/12978"}],"collection":[{"href":"https:\/\/european-training.eu\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/european-training.eu\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/european-training.eu\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/european-training.eu\/tr\/wp-json\/wp\/v2\/comments?post=12978"}],"version-history":[{"count":1,"href":"https:\/\/european-training.eu\/tr\/wp-json\/wp\/v2\/posts\/12978\/revisions"}],"predecessor-version":[{"id":12979,"href":"https:\/\/european-training.eu\/tr\/wp-json\/wp\/v2\/posts\/12978\/revisions\/12979"}],"wp:attachment":[{"href":"https:\/\/european-training.eu\/tr\/wp-json\/wp\/v2\/media?parent=12978"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/european-training.eu\/tr\/wp-json\/wp\/v2\/categories?post=12978"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/european-training.eu\/tr\/wp-json\/wp\/v2\/tags?post=12978"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}