Gastronomi gibi, K\u0131br\u0131s m\u00fczi\u011fi de adan\u0131n uzun tarihini ve orada ya\u015fam\u0131\u015f farkl\u0131 insanlar\u0131n k\u00fclt\u00fcr\u00fcn\u00fc yans\u0131t\u0131r. Hem geleneksel m\u00fczik hem de \u00e7a\u011fda\u015f m\u00fczik Yunanistan, T\u00fcrkiye ve Arap etkilerine sahiptir.<\/p>\n\n
Geleneksel m\u00fczik aletleri: Keman ve ud, hem K\u0131br\u0131s Rum hem de K\u0131br\u0131s T\u00fcrk toplumunda \u00f6ne \u00e7\u0131kan ba\u015fl\u0131ca \u00e7alg\u0131lard\u0131r ve hala d\u00fc\u011f\u00fcnlerde ve k\u00f6y \u015fenliklerinde \u00e7al\u0131nmaktad\u0131r.<\/p>\n\n
Halk m\u00fczi\u011fi: K\u0131br\u0131s Rum halk m\u00fczi\u011fi en \u00e7ok Nisiotika (Ege Adalar\u0131 halk m\u00fczi\u011fi) ve \u00f6zellikle Oniki Ada m\u00fczi\u011fi ile yak\u0131ndan ili\u015fkilidir. K\u0131br\u0131s’\u0131n geleneksel m\u00fczi\u011fi de K\u00fc\u00e7\u00fck Asya Rumlar\u0131n\u0131n m\u00fczi\u011finden b\u00fcy\u00fck \u00f6l\u00e7\u00fcde etkilenmi\u015ftir. M\u00fczik, tatsia, sousta, sirtos, ballos, zeibekiko, karotseris, sinalik, chiftetteli, arabkyes, mandra dans\u0131 ve karsilama gibi geleneksel danslarla da ba\u011flant\u0131l\u0131d\u0131r. 70’li y\u0131llardan itibaren halk m\u00fczi\u011fi, Michalis Violaris, Michalis Terlikkas, Kyriakou Pelagia vb. bir\u00e7ok sanat\u00e7\u0131 taraf\u0131ndan yeniden canland\u0131 ve di\u011fer t\u00fcrlerle kayna\u015ft\u0131.<\/p>\n\n
Chiatist\u00e1: Chiatist\u00e1, Girit mantinadas\u0131 gibi hicivli ve komik temalarla do\u011fa\u00e7lama antifonal \u015fark\u0131 s\u00f6yler. Genellikle birbirleriyle dalga ge\u00e7en arkada\u015flar veya akrabalar aras\u0131nda ger\u00e7ekle\u015ftirildi. G\u00fcn\u00fcm\u00fczde bir\u00e7ok k\u00f6y festivalinde chiatista yar\u0131\u015fmalar\u0131 da yap\u0131lmaktad\u0131r. https:\/\/bit.ly\/3IDkqIV<\/p>\n\n
K\u0131br\u0131s’\u0131n \u00e7a\u011fda\u015f m\u00fczik sahnesi, Yunan m\u00fczik sahnesiyle ba\u011flant\u0131l\u0131d\u0131r ve bir\u00e7ok K\u0131br\u0131sl\u0131 Rum sanat\u00e7\u0131, orada sanat\u00e7\u0131larla \u00e7al\u0131\u015fmaya ve i\u015fbirli\u011fine gitti. \u00c7a\u011fda\u015f m\u00fczik sahnesi, K\u0131br\u0131s’\u0131n geleneksel m\u00fczi\u011finin bir yank\u0131s\u0131d\u0131r.En pop\u00fcler t\u00fcrler aras\u0131nda Nisiotika, Rebetika, Hasapiko, Zeibekiko, Kalamatianos, Syrtaki vb. ritimlerden etkilenen Laiko yer al\u0131r.<\/p>\n\n
En \u00f6nemli K\u0131br\u0131sl\u0131 bestecilerden biri, \u00e7a\u011fda\u015f Yunan m\u00fczik sahnesinin en ikonik \u015fark\u0131lar\u0131ndan baz\u0131lar\u0131n\u0131 yazan Marios Tokas’t\u0131r. Ayr\u0131ca K\u0131br\u0131sl\u0131 T\u00fcrk \u015fair Ne\u015fe Ya\u015f\u0131n ile ortakla\u015fa yapt\u0131\u011f\u0131, b\u00f6l\u00fcnm\u00fc\u015f bir \u00fclkeyi sevme m\u00fccadelesini anlatan ve K\u0131br\u0131sl\u0131 Rumlar ile T\u00fcrkler aras\u0131nda bar\u0131\u015f ve uzla\u015f\u0131 i\u00e7in bir \u015fark\u0131 haline gelen \u015fiirinin m\u00fcziklerini besteledi.<\/p>\n\n
Yeni nesilden en \u00e7ok be\u011fenilen bestecilerden biri, Laiko ve Entexno’dan pop m\u00fczi\u011fe kadar farkl\u0131 t\u00fcrlerde m\u00fczik yazan Giorgos Theophanous’tur.<\/p>\n\n
Alkinoos Ioannidis, sava\u015f sonras\u0131 ku\u015fa\u011f\u0131n\u0131n (70’ler sonras\u0131) en be\u011fenilen m\u00fczisyenlerinden biridir. M\u00fczi\u011fi \u00e7o\u011funlukla Entehno’dur, ancak laiko ve rock gibi di\u011fer t\u00fcrlerin f\u00fczyonlar\u0131yla denemeler yapar. \u015eark\u0131lar\u0131n\u0131n \u00e7o\u011funda, \u00e7o\u011funlukla \u015fiirsel olan s\u00f6zlerin bestecisi ve yazar\u0131d\u0131r. Ayr\u0131ca, gen\u00e7 nesillere bile sevdirilmesine yard\u0131mc\u0131 oldu\u011fu geleneksel K\u0131br\u0131s \u015fark\u0131lar\u0131n\u0131 yorumlam\u0131\u015ft\u0131r.<\/p>\n\n
Taze kan\u0131n ve K\u0131br\u0131s m\u00fczi\u011fine yeni bir bak\u0131\u015f a\u00e7\u0131s\u0131n\u0131n bir ba\u015fka \u00f6rne\u011fi, Lefko\u015fa’dan K\u0131br\u0131s geleneksel m\u00fczi\u011fini geli\u015ftirmeye ve geleneksel K\u0131br\u0131s halk \u015fark\u0131lar\u0131n\u0131 yeniden i\u015flemeye odaklanan bir K\u0131br\u0131sl\u0131 grup olan Monsieur Doumani’dir. Songlines Music Awards 2019’da di\u011ferleri aras\u0131nda “En \u0130yi Grup” \u00f6d\u00fcl\u00fcn\u00fc kazand\u0131lar ve WOMEX, WOMAD Charlton Park,[2] Konzerthaus Vienna, Rudolstadt-Festival, Havana World Music Festival, vb. gibi yurtd\u0131\u015f\u0131ndaki \u00e7e\u015fitli m\u00fczik festivallerinde sahne ald\u0131lar.<\/p>\n","protected":false},"excerpt":{"rendered":"
Gastronomi gibi, K\u0131br\u0131s m\u00fczi\u011fi de adan\u0131n uzun tarihini ve orada ya\u015fam\u0131\u015f farkl\u0131 insanlar\u0131n k\u00fclt\u00fcr\u00fcn\u00fc yans\u0131t\u0131r. Hem geleneksel m\u00fczik hem de \u00e7a\u011fda\u015f m\u00fczik Yunanistan, T\u00fcrkiye ve Arap etkilerine sahiptir. Geleneksel m\u00fczik: Geleneksel m\u00fczik aletleri: Keman ve ud, hem K\u0131br\u0131s Rum hem … <\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"pmpro_default_level":0,"footnotes":""},"categories":[197,139],"tags":[],"class_list":["post-12828","post","type-post","status-publish","format-standard","hentry","category-kibris","category-muzik","pmpro-has-access"],"_links":{"self":[{"href":"https:\/\/european-training.eu\/tr\/wp-json\/wp\/v2\/posts\/12828"}],"collection":[{"href":"https:\/\/european-training.eu\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/european-training.eu\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/european-training.eu\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/european-training.eu\/tr\/wp-json\/wp\/v2\/comments?post=12828"}],"version-history":[{"count":3,"href":"https:\/\/european-training.eu\/tr\/wp-json\/wp\/v2\/posts\/12828\/revisions"}],"predecessor-version":[{"id":12847,"href":"https:\/\/european-training.eu\/tr\/wp-json\/wp\/v2\/posts\/12828\/revisions\/12847"}],"wp:attachment":[{"href":"https:\/\/european-training.eu\/tr\/wp-json\/wp\/v2\/media?parent=12828"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/european-training.eu\/tr\/wp-json\/wp\/v2\/categories?post=12828"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/european-training.eu\/tr\/wp-json\/wp\/v2\/tags?post=12828"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}