{"id":12976,"date":"2022-08-11T10:13:21","date_gmt":"2022-08-11T10:13:21","guid":{"rendered":"https:\/\/european-training.eu\/grecia-muzica\/"},"modified":"2022-08-11T10:13:21","modified_gmt":"2022-08-11T10:13:21","slug":"grecia-muzica","status":"publish","type":"post","link":"https:\/\/european-training.eu\/ro\/grecia-muzica\/","title":{"rendered":"Grecia &#8211; Muzic\u0103"},"content":{"rendered":"\n<p>Muzica este o component\u0103 imperativ\u0103 a culturii grece\u0219ti, influen\u021bat\u0103 de-a lungul anilor de sunetele orientale \u0219i occidentale.<\/p>\n\n<p>Muzica, ca parte a culturii grece\u0219ti, dateaz\u0103 din cele mai vechi timpuri, \u00een care poezia, dansul \u0219i muzica erau inseparabile \u0219i reprezentau o parte important\u0103 din via\u021ba de zi cu zi a grecilor antici.<\/p>\n\n<p>Ulterior, sub Imperiul Bizantin, muzica greac\u0103 a c\u0103p\u0103tat o abordare mai ecleziastic\u0103. Apoi, \u00een timpul domina\u021biei de 400 de ani a Imperiului Otoman, a fost influen\u021bat\u0103 de muzica oriental\u0103. \u00cen cele din urm\u0103, a &#8220;ren\u0103scut&#8221; \u00eencorpor\u00e2nd multe elemente ale stilurilor muzicale anterioare \u00een secolul al XIX-lea. <\/p>\n\n<p>Unele dintre cele mai reprezentative genuri muzicale grece\u0219ti sunt:<\/p>\n\n<h2 class=\"wp-block-heading\">C\u00e2ntece populare<\/h2>\n\n<p>C\u00e2ntecele populare grece\u0219ti pot fi \u00eemp\u0103r\u021bite \u00een 2 stiluri:<\/p>\n\n<ul class=\"wp-block-list\"><li><span style=\"font-weight: 400;\">Stilul akritic (secolele 9 \u0219i urm\u0103toarele). C\u00e2ntecele exprimau via\u021ba \u0219i luptele g\u0103rzilor de frontier\u0103 ale Imperiului Bizantin (cunoscute sub numele de &#8220;akri\u021bi&#8221;)<\/span><\/li><li>Stilul klephtic (n\u0103scut \u00een timpul ocupa\u021biei otomane). Acesta include c\u00e2ntece de dragoste, c\u00e2ntece de nunt\u0103, c\u00e2ntece de exil, c\u00e2ntece de libertate, c\u00e2ntece de moarte \u0219i c\u00e2ntece de triste\u021be. Descrie o perioad\u0103 crucial\u0103 \u0219i s\u00e2ngeroas\u0103 din istoria \u0219i via\u021ba Greciei.<\/li><\/ul>\n\n<p>Instrumentele muzicale folosite \u00een c\u00e2ntecele populare includ lira \u0219i l\u0103uta, cimpoiul, shawm, toba, tamburina \u0219i vioara.<\/p>\n\n<h2 class=\"wp-block-heading\">Nisiotika<\/h2>\n\n<p>Acest gen de muzic\u0103 a luat na\u0219tere \u0219i a devenit popular \u00een r\u00e2ndul popula\u021biei din insulele din Grecia.<\/p>\n\n<p>Fiecare insul\u0103 are propriul stil de nisiotiko \u0219i o tehnic\u0103 unic\u0103 de dans. Vioara, lira, clarinetul \u0219i chitara sunt instrumentele cele mai des folosite pentru a produce nisiotika. Acest gen muzical este prezent \u00een festivalurile\/mar\u0219urile locale de pe orice insul\u0103 greceasc\u0103, unde un grup mare de muzicieni interpreteaz\u0103 muzic\u0103 live toat\u0103 noaptea.<\/p>\n\n<h2 class=\"wp-block-heading\">Rebetiko:<\/h2>\n\n<p>Acest gen muzical deosebit \u0219i faimos s-a n\u0103scut \u00een &#8220;tekedes&#8221;, cafenelele subterane \u00een stil turcesc din cartierul portului Pireu din Attica \u0219i din ora\u0219ul Salonic. Muzica Rebetiko a fost introdus\u0103 \u00een societatea greac\u0103 de c\u0103tre cei 2 milioane de refugia\u021bi greci veni\u021bi din Asia Mic\u0103 \u00een 1922, dup\u0103 distrugerea Smirnei. Cei care pierduser\u0103 totul, c\u00e2ntau despre ceea ce \u00eei \u00eenconjura, s\u0103r\u0103cie, durere, foame, \u00eenchisoare, opresiunea poli\u021biei, dependen\u021ba de droguri \u0219i tr\u0103dare. Rembetiko era atunci muzica interzis\u0103 a paria\u021bilor. \u00cen anii 1950, a \u00eenceput s\u0103 fie popular\u0103 \u00een cluburile de noapte din Atena.<\/p>\n\n<p>Acest gen de muzic\u0103 are elemente at\u00e2t din muzica bizantin\u0103, c\u00e2t \u0219i din cea otoman\u0103. Principalele instrumente ale muzicii rebetiko sunt bouzouki, baglama, chitara \u0219i tamburina. C\u00e2\u021biva reprezentan\u021bi notabili ai stilului Rebetiko au fost Vassilis Tsitsanis, Markos Vamvakaris, Marika Ninou \u0219i Sotiria Bellou. <\/p>\n\n<p><span style=\"font-weight: 400;\">Afla\u021bi mai multe<\/span>: <a href=\"https:\/\/blog.greeka.com\/greece\/rebetiko-feasts-greece\/\">https:\/\/blog.greeka.com\/greece\/rebetiko-feasts-greece\/<\/a><\/p>\n\n<h2 class=\"wp-block-heading\">Muzica sf\u00e2r\u0219itului de secol XX:<\/h2>\n\n<p>\u00cen anii &#8217;80, arti\u0219ti moderni precum Dionysis Savopoulos, Nikos Papazoglou, Stavros Xarhakos \u0219i Pavlos Sidiropoulos au produs un fel de fuziune a muzicii rebetiko cu elemente de muzic\u0103 rock, gener\u00e2nd un nou tip de muzic\u0103. C\u00e2ntecele se refer\u0103 la libertatea personal\u0103 sau politic\u0103 sau la aspecte cotidiene ale vie\u021bii, la durere \u0219i suferin\u021b\u0103.<\/p>\n\n<p>De atunci, multe variante ale acestui tip de muzic\u0103, denumit\u0103 \u00een general Entekhno, au fost produse \u0219i \u00eendr\u0103gite de popula\u021bia greac\u0103.<\/p>\n\n<h2 class=\"wp-block-heading\">Muzica modern\u0103 mainstream:<\/h2>\n\n<p>Muzica mainstream greceasc\u0103 se nume\u0219te &#8220;laika modern\u0103&#8221; sau &#8220;laiko pop&#8221;. Acest tip combin\u0103 elemente de muzic\u0103 greceasc\u0103 cu muzica pop occidental\u0103. Criticii spun c\u0103 aceast\u0103 form\u0103 de muzic\u0103, este de o calitate mai slab\u0103. Cu toate acestea, deoarece aceasta este muzica care a p\u0103truns \u00een cultura popular\u0103 din Grecia, se pare c\u0103 majoritatea oamenilor se bucur\u0103 de ea.<\/p>\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"385\" height=\"185\" data-id=\"10246\" src=\"https:\/\/european-training.eu\/wp-content\/uploads\/2022\/04\/Ancient-Greek-Music.jpg\" alt=\"\" class=\"wp-image-10246\" srcset=\"https:\/\/european-training.eu\/wp-content\/uploads\/2022\/04\/Ancient-Greek-Music.jpg 385w, https:\/\/european-training.eu\/wp-content\/uploads\/2022\/04\/Ancient-Greek-Music-300x144.jpg 300w\" sizes=\"(max-width: 385px) 100vw, 385px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"10249\" src=\"https:\/\/european-training.eu\/wp-content\/uploads\/2022\/04\/Traditional-Greek-Music.jpg\" alt=\"\" class=\"wp-image-10249\" srcset=\"https:\/\/european-training.eu\/wp-content\/uploads\/2022\/04\/Traditional-Greek-Music.jpg 1024w, https:\/\/european-training.eu\/wp-content\/uploads\/2022\/04\/Traditional-Greek-Music-300x200.jpg 300w, https:\/\/european-training.eu\/wp-content\/uploads\/2022\/04\/Traditional-Greek-Music-768x512.jpg 768w, https:\/\/european-training.eu\/wp-content\/uploads\/2022\/04\/Traditional-Greek-Music-600x400.jpg 600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Muzica este o component\u0103 imperativ\u0103 a culturii grece\u0219ti, influen\u021bat\u0103 de-a lungul anilor de sunetele orientale \u0219i occidentale. Muzica, ca parte a culturii grece\u0219ti, dateaz\u0103 din cele mai vechi timpuri, \u00een care poezia, dansul \u0219i muzica erau inseparabile \u0219i reprezentau o &hellip; <\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"pmpro_default_level":0,"footnotes":""},"categories":[203,183],"tags":[],"class_list":["post-12976","post","type-post","status-publish","format-standard","hentry","category-grecia-ro","category-muzica","pmpro-has-access"],"_links":{"self":[{"href":"https:\/\/european-training.eu\/ro\/wp-json\/wp\/v2\/posts\/12976"}],"collection":[{"href":"https:\/\/european-training.eu\/ro\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/european-training.eu\/ro\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/european-training.eu\/ro\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/european-training.eu\/ro\/wp-json\/wp\/v2\/comments?post=12976"}],"version-history":[{"count":1,"href":"https:\/\/european-training.eu\/ro\/wp-json\/wp\/v2\/posts\/12976\/revisions"}],"predecessor-version":[{"id":12977,"href":"https:\/\/european-training.eu\/ro\/wp-json\/wp\/v2\/posts\/12976\/revisions\/12977"}],"wp:attachment":[{"href":"https:\/\/european-training.eu\/ro\/wp-json\/wp\/v2\/media?parent=12976"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/european-training.eu\/ro\/wp-json\/wp\/v2\/categories?post=12976"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/european-training.eu\/ro\/wp-json\/wp\/v2\/tags?post=12976"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}